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GARDEN
& LANDSCAPE DESIGN
Link
to The Irish Times Article
I began working as a
garden designer over twenty years ago in Holland, after doing a four
year course in horticultural college at Boskoop, a famous town that
is home to about 1,000 nurseries.
In Holland, I worked on
designs for all manner of gardens: from small courtyards and roof
gardens to much larger projects where I created acres of restful
parkland around office buildings, using carefully-chosen mature
trees and thousands of herbaceous plants.

Preliminary design for the Dutch Chancellery, Dublin
Coming to Ireland in
1988 was an exhilarating experience for me as a designer. In Holland
I had usually worked within a controlled urban or suburban setting,
often creating a suggestion of the countryside to offer a tranquil
counterpoint to the surrounding built-upon environment. But, here in
Ireland I was elated to find the rural landscape right outside many
of my new clients' houses - just waiting to be drawn into the garden
picture.
I feel that the garden,
like the natural landscape, should reflect the ebb and flow of the
passing seasons - rather than sitting like a static stage-set
outside the door. I aim to create an always-interesting,
perpetually-alive place by using different plants to perform at
different times of the year, and by using plants that have more than
one season of interest.
Certain herbaceous
plants, for instance, after giving a splendid, colourful show of
blossom in the summer and autumn, look statuesque and sculptural
throughout the winter, if left standing until spring. And, equally,
some deciduous trees (those that shed their leaves each autumn)
present elegant silhouettes or interesting bark textures in the dead
of winter.
When I am designing a
garden I like to use strong, architectural plants to create the
framework, rather than a lot of unnecessary hard landscaping that
might upset the balance. There are, after all, wonderful plants of
every shape and size that can be used (alone or in combination) to
produce just about any structural effect that is required: screens,
vertical accents, low boundaries, bulky mounds, ground-cover. And
although I haven't yet found a plant that will replace a water
feature, I think that a rustling stand of bamboo is a good
substitute - and a lot easier to maintain.
If possible, I use
mature trees and shrubs in my planting schemes so that my clients
have a pleasing, balanced garden right from the start. I find that
using local contractors usually cuts down on time and expense, but I
source or supply all the material myself to ensure that the finished
garden matches the carefully planned design. And, where I am
designing a garden to complement a new building, I find that the
most harmonious effect is achieved by working with the architect
right from the start of the project.
My current projects
include the development of a five acre pleasure garden for a quality
hotel in rural Kerry; the creation nearby of a twenty acre
naturalistic garden, complete with ancient woodland and water
cascades; and the ongoing development of a highly architectural
garden in Limerick, full of sculpture and based on straight lines,
avenues and axes.
Some of my past work
includes design advise and planting at Fota Wildlife Park, making a
Chinese pagoda garden in Co. Carlow, landscape in the grounds of an
exclusive apartment block in Cork City and creating completely new
gardens for the recently extended Dutch Embassy, in Dublin 4.
I have been a member of
the Garden & Landscape Designers Association since its
foundation five years ago. The group - whose members are assessed by
an independent body of horticulturists and academics - aims (among
other things) to set and maintain high standards in the profession.
In 1999 I was pleased to be elected chairman of the association.

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